Upcoming Show
JEAN-LUC GODARD: SCENARIO(S)
Jean-Luc Godard’s last creative gesture
Exhibition + Film
October 11-November 15, 2025
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Opening Reception
Saturday, October 11, 4-6pm
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Conversation with Mitra Farahani
producer of Godard's film Scenarios
Tuesday, October 14, 5-6:30 pm
Jean-Luc Godard holding one of the Scenario notebooks, 2021
Pie Projects Contemporary Art is honored to present the original last notebooks of legendary filmmaker Jean-Luc Godard, alongside the screening of his final movie, the 18-minute film entitled Scénarios produced by Écran Noir Productions (Paris, France.)
After debuting at the Gijón International Film Festival and traveling to London’s Institute of Contemporary Arts (ICA) and the Musée de l'Orangerie in Paris, this upcoming exhibition offers a rare opportunity to encounter these late works firsthand.

In early 2019, at nearly ninety years old, Godard began what he mischievously titled Scénario—a project he described as his last. For Godard, the screenplay (“scénario” in French) had always been a paradoxical object. As he once remarked in 1978:
“I don't do what's called ‘screenplays’, i.e. the film written in advance so that those who give the money can imagine the film depending on how it's written. So, I never knew... It's not even that I don't want to, it's that I don't know how to. And if I did, I don't think I'd want to make a film about it afterwards.”
Instead, he developed ideas through notebooks, simple, store-bought books transformed with scissors, paint, glue, markers, photocopies, and typewritten fragments. Each page became a palimpsest: cut, erased, layered, and reassembled in a process as tactile as it was conceptual. The notebooks were not drafts in the traditional sense, but artworks in themselves, holding both their provisional status and the care of finished works.
Between May 2019 and October 2021, Godard created five such notebooks, each revisiting and revising a core project articulated around six parts. They bear witness to a physical, painterly method of thinking: assembling images, texts, and references into a plastic, almost geographical language. As Denis de Rougemont once wrote, “to think with your hands” is "the true condition of man"; this was precisely Godard’s method, even in the face of age and mortality.
In September 2022, just before choosing voluntary death, Godard completed Scénarios, an 18-minute film. The plural title marks a distance from the notebooks: while the notebooks remain preparatory, they are also “paper films,” plastic works comparable to those of Delacroix, Manet, or Klee. Freed from the technical apparatus of cinema, Godard edited them by displacement and repetition, counterpointing themes he had explored throughout his career. The film, brief and final, closes a life’s work of radical invention.
Click image to view 'Scenarios' Trailer (2024)
Mitra Farahani, president of Ecran Noir Productions, collaborated with Jean-Luc Godard as producer on several projects from 2015 until the end of his life. Farahani is the producer of Scénarios and co-producer of The Image Book (2018), as well as the director of See You Friday, Robinson (2022), a documentary on an epistolary and filmic relationship between Godard and Ebrahim Golestan that premiered at MoMA
In her words, she has long been drawn to "the late work of an artist—something produced when it is almost impossible, when the [physical] body itself is disintegrating.” With Godard, this is taking shape in her ongoing project Impossible Scenario - The Death of Virgil, a documentary which explores what she calls “the power of powerlessness.”
Mitra Farahani, Ecran Noir Productions
Reflecting on her collaboration with Godard, Farahani remarked - "We have known the work of Titian, but we have not known his era; we have known the work of Goya, but we have not known his era. We know the work of Godard—and we have lived his era.”
